The Grammy nominations were announced last week.
Forget record of the year, I went straight to the design noms.
Roettinger samples grainy black-and-white, close-up photography of stone sculptures paired with clean typography to evoke both classic and contemporary feelings. Then to induce sensation, Roettinger uses censorship bars across some of the names and titles, blocking out enough to know that the contents are dangerous but also delightful. Genius inside and out!